Tanks tate modern9/15/2023 ![]() The pretentiousness of the titles of his works never ceases to impress: The Physical Impossibility of Death in the Mind of Someone Living (the pickled shark) – oh yes, what about a pathologist? – and The Acquired Inability to Escape (cigarette ends), though Crematorium (more cigarette ends) is relatively obvious. There are, as to be expected, spot paintings, cabinets full of medicines and other medicalia, a maggot-fly life-cycle piece sustained by a rotting cow’s head which promises to leave an indelible souvenir on Tate’s floor, longitudinally-bisected animals, butterflies both alive and mounted, and, more revolting than anything else for a non-smoker, arrangements of cigarette ends. The first floor gallery of Tate Modern is given over to a major survey, Damien Hirst, an artist whose work is so well-known as to need little description. ![]() The development of The Tanks has been the first phase of the Tate Modern Project which it is hoped to complete by 2016 at a capital cost of £215 million, three quarters of which has been raised.
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